kant en klaar - перевод на Английский
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kant en klaar - перевод на Английский

GERMAN PHILOSOPHER (1724–1804)
I. Kant; Kant, Immanuel; Emmanuel Kant; Emannuel Kant; Emmannuel Kant; Kantian aesthetics; Imanuel kant; Kantians; Imanuel Kant; Immanual Kant; Chinaman of Koenigsberg; Chinaman of Königsberg; Emanuel Kant; Dogmatic slumber; Chinaman of Konigsberg; Kant bibliography; Post-Kantian thought; Copernican turn; Kant; Criticism of Immanuel Kant; I Kant; Kant, Immanuel, 1724-1804; Kant’s moral philosophy; Kant's moral philosophy; Immanuel Kant bibliography; Racial views of Immanuel Kant
  • Poster celebrating the 300 years of the [[University of Königsberg]], 1844. Among others, Kant and [[Herbart]] are honored.
  • Christian Wolff]] (1679–1754), whose methodical principles of logical exposition are responsible for many of the formal qualities of Kant's works.
  • [[West German]] postage stamp, 1974, commemorating the 250th anniversary of Kant's birth
  • [[Weimar Republic]] stamp honoring Kant, 1926.
  • 5 DM 1974 D silver coin commemorating the 250th birthday of Immanuel Kant in [[Königsberg]]
  • Immanuel Kant
  • In his ''Groundwork'', Immanuel Kant introduced the [[categorical imperative]]: "Act only in accordance with that maxim through which you at the same time can will that it become a universal law."
  • Engraving of Immanuel Kant
  • Bust of Immanuel Kant by [[Emanuel Bardou]], 1798
  • Kant statue in the School of Philosophy and Human Sciences (FAFICH) in the Federal University of Minas Gerais (UFMG), [[Belo Horizonte]], Brazil
  • Kant's tomb in [[Kaliningrad]], Russia
  • [[East German]] commemorative coin honoring Kant, 1974
  • Immanuel Kant by [[Carle Vernet]] (1758–1836)
  • de}} of the original by [[Christian Daniel Rauch]] lost in 1945.
  • Theodor Gottlieb von Hippel]] and [[Karl Gottfried Hagen]]
  • de}}, 1801.
  • Kant's house in Königsberg
  • Portrait of philosopher [[David Hume]]

kant en klaar      
ready to the last gaiter button
mise en scene         
  • The distinctive ''mise-en-scène'' of ''[[The Cabinet of Dr. Caligari]]'' (Germany, 1920) features jagged architecture.
  • ''Mise en scène'' by [[Constant Puyo]]
VISUAL AND DESIGN ASPECTS OF A THEATRE PRODUCTION
MiseEnScene; Mise en Scene; Mise-en-scene; Mise en scene; Mise*En*Scene; Mise en Scène; Mis-en-scene; Mise-En-Scene; Mise en scéne; Practical locations; Misonscene; Mis en scene; Mise en scène
toneelschikking, bewegingsregie
boil-in-the-bag      
kant en klare maaltijd,T.V maaltijd

Определение

mise en scene
[?mi:z ?mise en scene's?n]
¦ noun
1. the arrangement of scenery and stage properties in a play.
2. the setting of an event.
Origin
Fr., lit. 'putting on stage'.

Википедия

Immanuel Kant

Immanuel Kant (UK: , US: , German: [ɪˈmaːnu̯eːl ˈkant]; 22 April 1724 – 12 February 1804) was a German philosopher (a native of the Kingdom of Prussia) and one of the central Enlightenment thinkers. Born in Königsberg, Kant's comprehensive and systematic works in epistemology, metaphysics, ethics, and aesthetics have made him one of the most influential figures in modern Western philosophy.

In his doctrine of transcendental idealism, Kant argued space and time are mere "forms of intuition" that structure all experience and that the objects of experience are mere "appearances." The nature of things as they are in themselves is unknowable to us. In an attempt to counter the philosophical doctrine of skepticism, he wrote the Critique of Pure Reason (1781/1787), his most well-known work. Kant drew a parallel to the Copernican revolution in his proposal to think of the objects of experience as conforming to our spatial and temporal forms of intuition and the categories of our understanding, so that we have a priori cognition of those objects.

Kant believed that reason is the source of morality, and that aesthetics arises from a faculty of disinterested judgment. Kant's religious views were deeply connected to his moral theory. Their exact nature, however, remains in dispute. He hoped that perpetual peace could be secured through universal democracy and international cooperation. His cosmopolitan reputation, however, is stained by his promulgation of scientific racism for much of his career, even though he changed those views in the last decade of his life.